Cineplex Inc (TSE:CGX) Q2 2021 earnings call dated Aug.12, 2021
Corporate Participants:
Mahsa Rejali — Executive Director, Corporate Development and Investor Relations
Ellis Jacob — President and Chief Executive Officer
Gord Nelson — Chief Financial Officer
Analysts:
Derek Lessard — TD Securities — Analyst
Jeff Fan — Scotiabank — Analyst
Adam Shine — National Bank Financial — Analyst
Tim Casey — Analyst
Aravinda Galappatthige — Canaccord — Analyst
Drew McReynolds — RBC — Analyst
Presentation:
Operator
Good day and welcome to the Cineplex Inc. Q2 2021 Analyst Conference Call. Today’s conference is being recorded. And at this time, I would like to turn the conference over to Mahsa Rejali, Executive Director of Corporate Development and Investor Relations. Please go ahead, ma’am.
Mahsa Rejali — Executive Director, Corporate Development and Investor Relations
Good morning and welcome. With me today is Ellis Jacob, our President and Chief Executive Officer and Gord Nelson, our Chief Financial Officer. Before I turn the call over to Ellis, let me remind you that certain statements being made are forward-looking and subject to various risks and uncertainties. Such forward-looking statements are based on management’s beliefs and assumptions regarding the information currently available. Actual results could differ materially from those expressed in the forward-looking statements.
Factors that could cause results to vary include, among other things, the negative impact of the COVID-19 pandemic, adverse factors generally encountered in the film exhibition industry, risks associated with other national and world events, discovery of undisclosed material liabilities and general economic conditions. Following today’s remarks, we will close the call with our customary question-and-answer period. I will now turn the call over to Ellis Jacob.
Ellis Jacob — President and Chief Executive Officer
Thank you, Mahsa. Good morning and welcome to our Q2 conference call. We are so glad you could join us today. I hope you and your families are well. As we all know, overall results for the quarter were impacted by the pandemic and are difficult to compare specifically when during the second quarter in 2020, our entire circuit was still closed. Gord will cover the numbers in greater detail, but I will focus on three things: provide you with an update on our national reopening and the positive guest reaction we have seen so far; share more about the exciting launch of our CineClub subscription program; and finally, reaffirm the measures we have in place to take advantage of being poised for a strong recovery.
During the second quarter, we continued to reopen our theatres and entertainment venues in provinces where restrictions were lifted. It wasn’t until July 17th, for the first time in over nine months, that all of our theatres and entertainment venues were open from coast-to-coast. This was a milestone we have been working toward for a long time and I would like to thank our team for their unwavering dedication and hard work throughout this challenging time and for reopening our locations safely and as quickly as possible. We truly could not have reached this day and confidently welcomed our guests back without such a committed team.
After months of closures and lockdowns, we can finally welcome back our guests to enjoy movies as they were meant to be seen and we couldn’t be more excited. Based on our ongoing customer experience research, our guests are thrilled to be back and feel both safe and excited to be in our venues again. In terms of attendance, that first fully reopened weekend in July was our busiest weekend since March 2020. For the last three weeks in July, we have welcomed back over 2 million guests to our theatres, which is more than the entire first half of 2021. Our locations at The Rec Room and Playdium have also experienced strong results as Canadians start to get out of their home and enjoy entertainment experiences again.
Looking at our other businesses, we are also seeing an encouraging ramp up within Cineplex Media as client confidence returns and companies begin to build out their advertising budgets for the fourth quarter and into 2022. Cineplex Digital Media is also experiencing positive momentum as it continues to focus on growing the business and securing new clients and partners. And our P1AG — their team has been very busy with a great reopening in the U.S. and the continued national reopenings in Canada. In addition to the excitement of reopening, during the second quarter, we completed certain previously committed projects and opened our newest VIP Cinemas at the Cineplex Cinemas Forum and VIP in Montreal.
Then in July, subsequent to quarter-end, we opened three more newbuilds within an impressive two-week time frame, including our first location of The Rec Room in British Columbia and first standalone VIP Cinemas in Western Canada, both located at The Amazing Brentwood center in Burnaby, British Columbia. Two weeks later in Ontario, we opened our 10th location of The Rec Room in Barrie, Ontario at Park Place. With our location-based entertainment venues now open coast-to-coast, we can offer our guests even more options when it comes to spending their leisure time with us. We are very encouraged by initial results coming from our newest locations with a great response from the community.
In fact, we continue to see lineups at our Brentwood and Barrie locations as guests are eager to check out the new space, and experience all we have to offer. As you’ve heard me say throughout this pandemic, the health and safety of our employees and our guest remain our top priority. With that in mind, during the quarter, we introduced our VenueSafe program, which encompasses all of our health and safety protocols in adherence with our exceeding provincial and public health guidelines.
The specific protocols will evolve over time, province-to-province, and even community-to-community as we emerge from the pandemic, but our branded VenueSafe seal will remain consistent across all our venues so that guests can feel safe and comfortable, while enjoying the escape of theatre and the fun on the games to play. One thing is for sure, our teams and our guests are happy to be back. With a new appreciation for friends and family and social settings that have been restricted for so long, we are focusing on providing our guests the one thing they can’t get at home, an immersive shared entertainment experience.
At Cineplex, we focus on providing guests with exceptional experiences at a great value. Coming out of the pandemic, it is going to be even more important for us to drive habitual movie-going and [Technical Issues] by making it easier and more accessible. That’s why yesterday, we launched CineClub, an innovative movie subscription program that provides great value our guests are sure to love.
For just CAD9.99 per month, members receive one regular admission ticket every month with no expiration date, the opportunity to purchase additional tickets at the CineClub price, 20% off concession items and a variety of other benefits including discounts on purchases at the Cineplex Store and an amusement gaming at our entertainment venues nationwide. Through extensive research, we spoke to thousands of our guests in order to design the best subscription offering for them. We asked what they wanted and delivered an exciting program that while focused on movie-going, also provides great benefits and discounts across our ecosystem of businesses.
We recognize that movie fans nationwide are eager to return to the theatrical experience and escape to the big screen and we are thrilled to offer Canadians this unique risk-free subscription program that provides both value and convenience. We designed CineClub to appeal to a wide array of guests and entice them to join the theatrical experience more frequently with their friends and family. The additional discounts included for concessions, the Cineplex Store, The Rec Room and Playdium also provide our guests with even greater value to enhance their entertainment experience with us. When looking at our peers in other markets who have successfully launched subscription programs, we are encouraged by the results and feel this program will be very successful.
Although we are not providing guidance on our targets, we look forward to sharing results with you as CineClub matures. It was no coincidence that we launched CineClub on the heels of our circuit reopening. Now is the time to capitalize on the pent-up demand and make movie-going even more accessible for our guests and with the significant lineup of highly anticipated films hitting screens for the remainder of this year, CineClub will give guests yet another reason to head back to our theatres and enjoy a movie on the big screen with big sound.
Box office numbers are encouraging as our circuit reopens in Canada with blockbusters like F9: The Fast Saga, Black Widow and Space Jam: A New Legacy drawing guests back to the theatre. As vaccination numbers rise and restrictions loosen across the country, we expect that by the fall, we will be close to full capacity in time for the onslaught of blockbuster films scheduled for the back half of the year. Just to name a few, we’ve got the Suicide Squad that just opened last weekend in an exclusive exhibition window in Canada to strong results.
Free Guy, starring Canada’s own Ryan Reynolds, opening tonight; Shang-Chi and the Legend of the Ten Rings with Canadian actor Simu Liu; the highly anticipated new James Bond film, No Time To Die; Dune, directed by Canada’s own, Denis Villeneuve; The Eternals; Ghostbusters: Afterlife; Top Gun: Maverick; West Side Story; Spider-Man: No Way Home; The Matrix Reboot; and Sing 2. Of course, we are keeping a close eye on streaming services and windows. Studios have been experimenting with many different windowing strategies over the last 15 months as the pandemic forced the closure of movie theatres around the world. Some have worked well and others have not been successful.
As always, we will continue to work with our studio partners to reach mutually beneficial agreements. But let me be clear, while windows may be changing, they are not disappearing and nor is movie-going. We know that an exclusive theatrical release means more revenue for all stakeholders in every cycle of a movie’s life. Although some consumer habits may have changed because of the pandemic and with more streaming content available, it has not dampened the desire to go out and enjoy a shared immersive experience, the escape that movie-going has always provided. Looking ahead, we remain confident and poised for a strong recovery.
During the second quarter, we remain prudent in managing costs and reduced our average monthly net cash burn to CAD24 million, down from CAD27 million in the first quarter as our circuit reopened across the country. We were pleased to learn that CEWS and CERS will be extended to October and continue working with our landlord partners for rent relief. I would like to thank them for their commitment and support during this extremely challenging time. Looking ahead, we will continue to actively monitor all aspects of our business and operations to minimize the impact of COVID-19 wherever possible.
We will manage our costs and we’ll assess all future capital spending as we make our way through the recovery period. Before I turn things over to Gord, I would like to provide a brief update on the Cineworld litigation. As of today, we are nearing the completion of the discovery process and remain on target to begin a three to four-week trial on September 13th. We are confident in our case but can’t speculate the terms of an outcome or timing. Overall, we remain optimistic about the recovery of our industry and specifically Cineplex.
Looking ahead, the recent box office results are very encouraging as is the upcoming film release schedule. Based on what we are seeing, we expect guests will continue to return back to theatres largely due to increases in vaccination rates, months of pent-up demand and a robust release schedule that continues to unfold in the back half of the year. Let me take a moment to pause and state what’s important to note here. Our team has done an outstanding job of focusing on what we can control to protect our company during the closure period. We have prepared for this moment for many months and with our unwavering efforts to control costs and solidify our financial position, we have set the stage for a dramatic comeback. With that, I will pass the call over to Gord.
Gord Nelson — Chief Financial Officer
Thanks, Ellis. I am pleased to present a condensed summary of the second quarter results for Cineplex Inc. and to provide additional detail on the ongoing financial impacts of COVID-19 on our operations. For reference, our financial statements and MD&A have been filed on SEDAR and are also available on our Investor Relations website at cineplex.com. Our MD&A and earnings press release includes a fulsome narrative on the operational results, so I will focus on highlighting and quantifying some of the key items including commentary on cost control, liquidity initiatives, and outlook.
The COVID-19 pandemic continues to have a material negative impact on all aspects of Cineplex’s core businesses, resulting in material decreases in revenue, operating income, and cash flows for Q2 2021. With ongoing closures and capacity restrictions in place in Canada, we began the quarter with approximately 38 theatres and three LBE locations operating primarily in smaller markets and ended the quarter with 86 theatres and six LBE locations open. The majority of the ramp-up in reopenings occurred in June.
However, our P1AG business did benefit from expanded FEC openings in the U.S. earlier in the quarter. As a result, we continue to focus on cost control and liquidity, and we’re extremely pleased to report an improvement in the EBITDAaL loss and the average monthly net cash burn when comparing Q2 2021 to Q1 2021. The EBITDAaL loss improved to a loss of CAD53.2 million from a loss of CAD62.1 million and the average monthly net cash burn improved to CAD24 million from CAD26.9 million when comparing Q2 2021 to Q1 2021.
With respect to cost control, I want to provide some additional details on our largest fixed and semi-fixed costs, our lease costs and our payroll expenses and then discuss our overall cash burn rate. Lease costs are our largest fixed costs. Throughout 2020 and into 2021, we maintained strong communication channels with our landlord partners in identifying opportunities for relief during these unprecedented times. Focus has been on working with them to identify opportunities for abatements during the closure period and to jointly look for other opportunities under our existing lease agreements.
During the past 15 months of the pandemic, we were able to materially reduce net cash lease and occupancy-related outflows by approximately CAD132.1 million, which includes approximately CAD70.4 million in lease abatement savings, CAD27.4 million as a result of the sale of certain restrictive rights to landlords and approximately CAD34.3 million as a result of other subsidies and rebates. We were able to maintain similar levels of total occupancy reductions in both the orders in 2021 as approximately CAD26 million was reflected in Q2 as compared to CAD25.7 million in Q1. We continue to work with our landlord partners and with the government support to provide additional relief throughout the balance of 2021. Payroll is our largest semi-fixed cost. With the initial mandated closures in early 2020, we immediately initiated temporary layoffs and reduced full-time employee salaries across the board by agreement with the employees. We reviewed and applied for government subsidy programs where available including the Canada Emergency Wage Subsidy.
During the past 15 months of the pandemic, we have benefited from approximately CAD87.5 million in subsidies primarily under this program, of which CAD15.7 million was related to Q2 2021 as compared to CAD14.8 million in Q1. As we reopened during the quarter and our staffing levels increased, our theatre payroll costs increased only marginally to CAD5.5 million in Q2 2021 from CAD3.6 million in Q1 2021 as we continue to benefit from wage subsidies. We are encouraged that the CEWS program has been extended through to October 2021 albeit at reduced rates as businesses ramp up.
With respect to other supplier partners and expense control, we put in place immediate expense in capex curtailment programs during the closure period. We worked with our supplier partners to provide elements of relief, including eliminating or reducing amounts due for contractual monthly services, in addition to payment deferrals and abatements. You can see the further benefits of these initiatives and the substantial cost reductions in a number of our controllable cost categories. In addition, we continue to monitor other subsidy and relief programs, which could benefit Cineplex. For the second quarter of 2021, we reported net capex of CAD3 million and approximately CAD31.6 million during the past 15 months of the COVID-19 impacted period.
As we look forward for the remainder of 2021, we will only be completing contractually committed projects and required maintenance capex projects. And as such, we expect that net capex for 2021 will be in the range of CAD30 million to CAD40 million. Beyond 2021, we will continue to be prudent with our growth initiatives, and we’ll seek out opportunities within the disrupted retail landscape. With all the actions previously described, we were able to achieve a 15-month pandemic average monthly net cash burn rate of approximately CAD22 million per month. Q2 2021, the average monthly net cash burn rate was approximately CAD24 million, down from the CAD26.9 million reported in Q1 2021 due primarily to the partial reopening of the circuit and the success of the P1AG’s route business in the U.S.
I would now like to focus on our liquidity position. For Q2 2021, our net borrowings under our credit facilities were only CAD13 million. During the first quarter, our total borrowings increased by CAD14 million resulting in an increase in total debt of only CAD27 million during 2021. We managed our debt balance by minimizing our cash burn and looking for liquidity opportunity. Key liquidity opportunities on a year-to-date basis include the receipt of the income tax receivable and the head office sale-leaseback proceeds. During the second quarter of 2021, we received an additional CAD49 million in income taxes recoverable as a result of the 2020 tax losses. Approximately CAD54 million of the CAD66 million claims has been received to date in 2021.
In January 2021, we received gross cash proceeds of CAD57 million for the sale-leaseback of the head office building. As a reminder, on the latest credit facility amendment, we extended the suspension of financial covenant testing until the fourth quarter of 2021, but provided for a monthly liquidity test until the financial covenants are reintroduced. As at June 30th, 2021, we had approximately CAD246 million in availability under our credit facilities. Our average net monthly cash burn for 2021 is approximately CAD25 million during a prolonged closure scenario and as such, we believe we have positioned the company well to handle any further uncertainties through the next 12 months.
As we reopen and generate revenues again, we will continue to focus on cost controls and liquidity. For the month of July, we are pleased to advise that we had positive EBITDAaL and marginally positive net cash flow as opposed to the net cash burn we have experienced over the past 15 months. This is an encouraging sign to start off Q3 as we were not fully open across the country for the entire month and were subject to capacity restrictions. As we look forward, we see positive news on vaccine rollouts.
We see reopenings and restrictions being relaxed, we see pent-up consumer demand, and we see a backlog of film titles to supply the market on reopening. We continue to focus on the safe operations of our businesses and continue to explore further opportunities for cost reduction and value creation. That concludes our remarks for this morning and we’d now like to turn the call over to the conference operator for questions.
Questions and Answers:
Operator
[Operator Instructions] We’ll now move to our first question over the phone, which comes from Derek Lessard from TD Securities. Please go ahead. Your line is open.
Derek Lessard — TD Securities — Analyst
Yeah, good morning everybody. Congrats on the reopening. I know it’s been a long road for you guys.
Ellis Jacob — President and Chief Executive Officer
Thank you.
Derek Lessard — TD Securities — Analyst
Just wondering if you have or are currently in kind of any discussions with provincial authorities on the ways to stay open in the event of future waves or outbreaks and is the VenueSafe that you introduced part of those discussions?
Ellis Jacob — President and Chief Executive Officer
We keep, on a regular basis, having conversations with the authorities and we basically have done most intensive protocols to make sure that our guests and our employees are having a safe and comfortable experience in the environments that we are operating in. And as you see across the country, by province, the actual requirements vary and we are looking forward to changes as we move forward, but we are also being very careful and making sure that we can provide our guests with that comfortable and safe experience.
Derek Lessard — TD Securities — Analyst
Okay, thanks for that, Ellis and maybe just one follow-up for Gord on the net burn. Obviously, it reflected some pretty good cost control there and part of that was reopening. Do you think that you have any more cost levers that you could still pull on going forward?
Ellis Jacob — President and Chief Executive Officer
Okay, Derek, so I would say that we’ve done a fairly exhaustive review, obviously, during the closure period and part of our focus has been to the extent that we could, is look at opportunities to take costs, which may have been fixed costs and look for opportunities to turn those more to variable costs given the uncertainties in the environment going forward.
Obviously, technology — and you’re going to see the launch of some technology plays into the next — into 2022, allow for more efficient operations, but I would say, we’ve done a very good job, and I’m really pleased with the team and the way we’ve looked at costs over the last 15 months. So in the near-term, I would say we’re pretty much exhausted. I think there are opportunities longer-term, but in the near-term, I think we’ve exhausted the majority of the high amounts, high value items.
Derek Lessard — TD Securities — Analyst
Okay, thanks guys.
Operator
We’ll now move on to our next question over the phone, which comes from Jeff Fan from Scotiabank. Please go ahead. Your line is open.
Jeff Fan — Scotiabank — Analyst
Thanks, good morning. Glad to say I was one of those 2 million patrons, Ellis. So glad to see you guys are reopening. Maybe just on that point, Ellis, I think you reported that you had about 900,000 patrons in the first week. So 2 million in the three weeks or so that you’ve been reopened. So the math would suggest 500,000 to 600,000 for the second and third week. I mean, I know it’s difficult, but what do you think is a good level to assume, looking ahead, until we have a greater capacity? I know it depends on a lot of different things, including the film slate, but can you help us out there based on the businesses that you’re seeing?
And then a question as we head out to the fourth quarter, thinking about the covenant. The U.S., I guess, AMC gave some numbers talking about the U.S. box office industry and if you kind of do the math, they almost suggest that about — they expect about 70% of what they got in second half of ’19, so roughly 70% recovery from where they were of the 2019 numbers. And again, we’re a little bit behind in the U.S., but what level of attendance do you think we need to get back to in order to meet those covenants taking into account the subsidies coming off in October?
Ellis Jacob — President and Chief Executive Officer
So Jeff, an answer to your first question. Basically, when you look at the weeks after July, we still continue to do quite well, especially when there are large movies that opened and we are running over 50% of 2019 numbers even with all the restrictions and going even higher than that on certain weeks and we feel by the fourth quarter if product is there and the situation continues to get better, we are looking at getting up to the 80% range as we get into the fourth quarter with the lifting of some of the requirements from a overall perspective as it relates to physical distancing.
Gord Nelson — Chief Financial Officer
And on the covenant question — go ahead sorry.
Jeff Fan — Scotiabank — Analyst
No, sorry, go ahead.
Gord Nelson — Chief Financial Officer
You had a follow-up? Okay. So with respect to the covenants, I mean, just to make it clear is you’re aware of the calculation, which is 4 times the Q4 EBITDAaL amount. So that becomes an annualized amount, which would test against the debt. So if you were to, as an example use — and I made comments today about July being relatively cash flow — marginally cash flow positive during the quarter — sorry, during the month.
So if you assume that you’ve maintained the same debt levels or if you use pro formas at June 30 at that level and backed into the numbers, I think you would find sort of an EBITDAaL range between the two tests of the total leverage and the senior debt coming at ranges is that you would need to be in sort of a CAD26 million to CAD36 million EBITDAaL range in the fourth quarter. And historically, if we look back at where we were in 2019, adjusted for certain of the Cineworld adjustments.
So there was a number of additional costs that we reflected in the fourth quarter of ’19. So I think that’s important to remember and if you looked at ’18 and ’19, where both of those quarters were about CAD80 million of EBITDAaL. So significant reduction in the EBITDAaL amounts to stay within those covenant ranges and so when you’re looking at what would be the attendance decline versus 2019, which I think was your very specific question, we’re talking about a 35 — roughly about a 35% attendance decline.
Jeff Fan — Scotiabank — Analyst
Okay. That’s great. That’s helpful. And just a clarification, Gord, slight positive cash flow in July. How much subsidies was included to get to that positive number?
Gord Nelson — Chief Financial Officer
And with respect to subsidies, I’m not going to provide any more granular detail on the monthly amounts because as we look through, I just want to — what I would say on that is if you looked at our Q2 amounts, we were closed still halfway through July. So the subsidies that we received — so the abatements would be somewhat in line if you looked at the Q2 amounts, which was roughly about CAD6.6 million for the entire quarter. So if you divided those by three, that would be a good approximation of July.
The certain subsidies — provincial subsidies, so the realty tax and the utility subsidies were still applicable in July while there was a mandated closure. So for half of July, we would be eligible for those subsidies. And then, as I mentioned in my call script, the CERS subsidy is available that has been extended to the end of October albeit as CEWS and CERS are at declining rates. So for the month of July, Jeff, it’s slightly less than what you would have seen for the quarter, but as you look forward into August and September, as I mentioned, those will start to decline.
Jeff Fan — Scotiabank — Analyst
Great and maybe one last quick one. Food services in the U.S. theatres since reopening has been strong. I’m curious, did Canadians miss their popcorns as much as our U.S. neighbors?
Ellis Jacob — President and Chief Executive Officer
Yes, Jeff, they do and our numbers as we see through the reopening have been extremely strong.
Jeff Fan — Scotiabank — Analyst
Okay, thanks guys.
Operator
We’ll now move on to our next question over the phone, which comes from Adam Shine from National Bank Financial. Please go ahead.
Adam Shine — National Bank Financial — Analyst
Thanks a lot, good morning. Ellis, I know you’re not talking targets additionally on CineClub, which looks quite interesting, but if we look to the Cinemark experience, it would suggest that maybe over two, three years, you could get up to a range of maybe 8% to 12% conversion of your SCENE members. Does that sort of make some degree of sense in terms of at least additional parameters for expectations?
Ellis Jacob — President and Chief Executive Officer
That’s, Adam, a good target, but I think given our across the country presence and our ability with the SCENE program to move forward, I feel that we will see some strong numbers coming out of the CineClub program and it’s a little early. We’ve been a day, but we were quite excited to see how many people actually signed up yesterday.
Adam Shine — National Bank Financial — Analyst
Fantastic. And going back, I know the AMC sort of call was mentioned. On that call, acknowledging what you said earlier regarding some of the studio experimentation during the pandemic, AMC, nevertheless going into 2022, did sign a deal with Warner, solidifying the theatrical exclusivity. Do you want to maybe talk a little bit about what you’re seeing in terms of either industry dynamics among your peers and/or some of your expectations, certainly going into next year in terms of maybe a changing landscape and a ceasing of some of the experimentation albeit maybe taking on a different context next year?
Ellis Jacob — President and Chief Executive Officer
Yes, good question. And there are differences between Canada and the U.S. in situation like, for example, with Suicide Squad. We opened it on theatrical without any streaming services. So it varies by studio, but looking at 2022, they are looking to a window of a minimum of 45 days with most of the U.S. suppliers and the Canadian companies that represent them going with that 45-day as a minimum window at this point.
Adam Shine — National Bank Financial — Analyst
Okay and just maybe one other question. Just obviously, as we continue to see the Delta variant draw headlines and notwithstanding the evolving safety and cleaning fixtures you’re pursuing, any additional thoughts as to how some of these passports being proposed by the municipalities and/or provinces, how you might be initially adjusting to that? I mean, it might be as simple as just having your employees check a phone for a QR code, but any quick thoughts as to how you address, obviously, an inflow, hopefully of greater patrons over the next couple of quarters?
Ellis Jacob — President and Chief Executive Officer
But any quick thoughts as to how you address, obviously, an inflow, hopefully of greater patrons over the next couple of quarters?
Adam Shine — National Bank Financial — Analyst
Okay, great. I’ll leave it there. Thank you.
Operator
We’ll move on to our next question over the phone, which comes from Tim Casey from BMO. Please go ahead. Your line is open.
Tim Casey — Analyst
Two for me. One, Ellis or Gord, could you walk us through what investors should expect in terms of timelines or milestones with respect to the litigation with Cineworld? And my second question is, Gord, just so we’re clear, in terms of the outlook for the back half of the year, you’re assuming — or we should be thinking that you — Cineplex will be cash flow positive in each of Q3 or Q4 or cash flow neutral or do you still expect a bit of a burn? Just any color you could give there with regard to the flows?
Ellis Jacob — President and Chief Executive Officer
So in response to your first question about Cineworld, the trial date is basically mid-September and we are expecting that the decision to come a few months later after that. That’s where we are at today and we have spent a significant amount of time and feel confident of our position.
Tim Casey — Analyst
How long do you think it —
Gord Nelson — Chief Financial Officer
And on your second question —
Ellis Jacob — President and Chief Executive Officer
Three to four weeks we think it would be the timelines for the trial.
Gord Nelson — Chief Financial Officer
And on your second question, Tim, so I want to make it clear, I was trying to do an example based on the June 30th balances of what the covenants — how the covenant mechanics would work for a Q4 estimate. So your question was, will we be cash flow positive or negative for the remainder of the quarter and we typically don’t provide guidance, but what I do want to say is during the month of July, when we were only open in — not even all of our locations and Ontario was only open for a couple of weeks, we were really pleased to be neutral during a period with severe restrictions and not the full circuit operating. So I think you could take from that, that we expect with a full circuit operating and hope relaxing of restrictions over time is that we would be positive for the back half of the year.
Tim Casey — Analyst
And maybe just one follow-up, if I may. In terms of in-cinema advertising, that’s — Gord, you’ve often told us that for the big advertisers to come in, they want to have confidence in the quality of movies will attract big crowds and whatnot. Could you maybe offer a little more commentary on how the discussions are going with that particular revenue opportunity and how you’re thinking about the back half of the year with reopening?
Ellis Jacob — President and Chief Executive Officer
Yes, there’s a real eagerness in the media area for our clients and advertisers to get back on the screen and with the quality of the product that we have coming forward, we feel and we believe strongly that the media business will come back and they are looking at how they get through the holiday period and into 2022. So we are quite positive about that business moving forward.
Tim Casey — Analyst
Thank you.
Ellis Jacob — President and Chief Executive Officer
Thanks.
Operator
We’ll now move on to our next question, which comes from Aravinda Galappatthige from Canaccord. Please go ahead. Your line is open.
Aravinda Galappatthige — Canaccord — Analyst
Good morning. Thanks for taking my question. A quick clarification to start with. Ellis, you mentioned a 50% number with respect to attendance versus pre-pandemic levels. I just wanted to make sure, were you referring to just a individual week or were you referring to the period since the reopening? That’s question number one. And then, secondly, following up on the comment about concessions, obviously, it’s still a short period to kind of form an opinion on, but the conversion of attendance to concession sales, CPPs, is it starting to trend back towards sort of pre-pandemic levels or given sort of the restriction of movements and so forth, is there still sort of some ramp-up there to be achieved? I was wondering if there’s a little bit more granularity there. Thank you.
Ellis Jacob — President and Chief Executive Officer
Yes, so on the first part of your question regarding the reopening, we are running — some weeks are higher, other weeks, depending on the product, but we are running about 55% on average above 2019 for now and when you asked about concessions, we are seeing higher numbers than in 2019 and that isn’t changing that much as we are seeing week-to-week with our guests coming back to the cinemas.
Aravinda Galappatthige — Canaccord — Analyst
Excellent. Thank you. And a quick follow-up for Gord on the lease abatements. Gord, you mentioned the CAD6.6 million last quarter, obviously, to divide that by three for July. What is the longevity of those abatements? Does it need to be renegotiated straightaway for August and September or does it kind of go until quarter-end or so forth?
Gord Nelson — Chief Financial Officer
Each one is unique. So each lease is a separate negotiation with the landlord. Some of them are contingent on either as being mandated closed, others have been included a bit of a ramp-up period. So like, there’s no simple formula, Aravinda. And that’s why I kind of suggested for the month of July, given half a closure in our major province or half a month sort of closure in our major province is that you’re going to potentially for July see roughly a third of that, and then that’s going to tail off — start to tail down again and reoepen.
Aravinda Galappatthige — Canaccord — Analyst
Great, thank you so much. I’ll hop off the line.
Operator
We’ll now move on to our next question, which comes from Drew McReynolds from RBC. Please go ahead. Your line is open.
Drew McReynolds — RBC — Analyst
Yeah, thank you very much and good morning. And Ellis and Gord, thank you very much for all the granularity that you’ve provided. That’s super helpful. Two last ones for me. For you, Gord, couple of quarters ago, you were helpful in providing what kind of adjusted EBITDA or EBITDAaL margin the company could return to once kind of fully normalized whenever that is, could you update on whether reaching 2019 levels is certainly what would be the objective? And then, secondly, I guess, for Ellis or Gord, on film cost, just given all of the fluidity in terms of relationships with the studios, is that film cost percentage expected to evolve or budget all outside of that kind of low-to-mid 50% range? Thank you.
Gord Nelson — Chief Financial Officer
So Drew, on your first question, as we — and as we’ve kind of always said, there’s a mix of businesses as we look going forward and the goal would be to — what we want to look to get to is roughly that 2019 level but as we look and we move forward, is certain elements of the business and as we incrementally add LBE locations, that helps the overall EBITDAaL margin. As the digital signage business grows, that helps EBITDAaL margin and so it’s how the mix of certain of those businesses in P1AG and the growth of P1AG adds cash flow, but it’s a slightly lower than average than our overall sort of EBITDAaL margin business. So as the various businesses kind of grow over time is that EBITDAaL margin shift but I think, as what we said, is we want to get back to that 2019 level.
Ellis Jacob — President and Chief Executive Officer
And then on your question regarding film costs, they have been lower because through some quarters, we were playing up all of the products and lower film costs. And then, also when the movies were available on streaming, we were discussing with our studio partners and getting to a better positioning. And in the long run, it’s all about how well the movies do and what the results are, and that will impact where the film costs go and also where the windows are as we move forward. So there are a number of variables before we can pin down the final percentages.
Drew McReynolds — RBC — Analyst
Okay, thanks very much and great to see the reopening.
Gord Nelson — Chief Financial Officer
Thank you.
Ellis Jacob — President and Chief Executive Officer
Thanks, Drew.
Operator
Ladies and gentlemen, this concludes today’s question-and-answer session. At this time, I would like to turn the call back to Mr. Ellis Jacob for any additional closing remarks.
Ellis Jacob — President and Chief Executive Officer
Thank you. Thanks again for joining the call this morning. As you heard today, we hit the ground running as our entire circuit reopened last month, and we were able to deliver the first-class experience that our guests have missed for so long. We launched an innovative subscription model with CineClub that will help drive regular movie-going and make the experience even more accessible and affordable for our guests. Above all this, as with every turn through the pandemic, we adapted with great agility and resilience, manage our costs and added the liquidity we needed to see us through.
I am confident in Cineplex and the industry’s ability to recover and look forward to providing our guests with an exceptional experience that they can only get in one of our theatres or in entertainment venues. I look forward to speaking with you all again for our third quarter conference call in the fall. Until then, please enjoy the rest of your summer and our movie theatres and be well.
Operator
[Operator Closing Remarks]